Installation view of "Descendants", solo exhibition curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

Installation view of "Descendants", solo exhibition curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

Installation view of "Descendants", solo exhibition curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

Installation view of "Descendants", solo exhibition curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

Installation view of "Matrilineal" (2021) part of the solo exhibition "Descendants" curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

Installation view of "Descendants", solo exhibition curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

Installation view of "Descendants", solo exhibition curated by Katherine Gressel for The Old Stone House in Brooklyn. You can visit their exhibition page by clicking the link below. Images by Etienne Frossard.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.

"OCCUPY" curated by Aisha Tandiwe Bell for Thomas Hunter Project Space, Hunter College Hebberts work is a conversation between painting, sculpture and audience. Her two-dimensional forms force the viewer to consider how they navigate the space. The audience becomes part of the performance and the power dynamics shifts.